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A detail of Keith Haring’s 1982 “Statue of Liberty,” a collaboration with graffiti artist LA II. Photograph by Dania Maxwell for the "Los Angeles Times."

The Arts Are Rising. Are You Watching?

Subscribe to the only e-newsletter tracking creative resistance and arts activism across every discipline – visual arts, music, theater, literature, film, dance, design, and beyond.

While mainstream outlets chase celebrity and academia speaks in code, we spotlight the artists and movements changing the world – often quietly, often defiantly, and often ignored.

This isn’t about trends. It’s about truth-telling, imagination, and the power of art to disrupt, heal, protest, and rebuild.

What you’ll get:

  • profiles of bold, justice-driven artists
  • stories of creative resistance from around the world
  • cross-discipline insight into how the arts are shaping movements
  • curated events, exhibits, performances, and calls to action

No ads. No fluff. No celebrity worship. Just art that matters.

Whether you’re an artist, an activist, or simply someone who believes that culture can be a catalyst – you belong here.

We don’t sell your data. We don’t chase algorithms. We just tell the stories that need telling.

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Art is happening. Art is resisting. Be part of it.


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"The War of Art" (2025) by Lauren O'Neill-Butler charts the post-war development of artists’ protest and connects these struggles to a long tradition of feminism and civil rights activism. In the background of this graphic is "Our Red Nations Were Always Green" by Hock E Aye Vi Edgar Heap of Birds, whose art activism is addressed in Ms. O'Neill-Butler's book.

American singer-songwriter and guitarist Jesse Welles.
Good Night, and Good Luck

"Good Night, and Good Luck" is a historical drama play written by George Clooney and Grant Heslov. It focuses on the conflict between veteran CBS journalist Edward R. Murrow and U.S. Senator Joseph McCarthy. Nominated for five 2025 Tony Awards, its June 7 performance became the first Broadway production to be aired live on television. Photograph by Sara Krulwich for "The New York Times."