Denial doesn’t save us

Vivien Leigh as Blanch DuBois in "A Streetcar Named Desire," Warner Bros. Pictures (1951)

How do artists craft magic that doesn’t erase reality, but illuminates it?

In “A Streetcar Named Desire,” Tennessee Williams’ Pulitzer Prize-winning 1947 play, Blanche DuBois longs for illusion over reality.

The moment serves as a powerful metaphor for the artistic struggle between escapism and activism. Just as she fabricates illusions to cope with a harsh world, many creatives today lean into beauty and spectacle rather than confronting pressing social realities.

But — as Tennessee Williams illustrates so tragically — denial doesn’t save us. When illusion replaces engagement entirely, we risk losing agency, truth, and even ourselves.

The choice between realism and magic isn’t binary, though. Art has the power to weave both — to create beauty and bear witness, to captivate while challenging.

The current political and cultural landscape in the U.S. presents both challenges and opportunities for arts and cultural activists.

This tension between beauty and truth isn’t just theoretical — it shapes how artists respond to the world around them. In a time of cultural upheaval, the choices creatives make — whether to challenge or to comfort — carry real consequences.

Barriers Preventing Artistic Activism

Countless factors contribute to artists hesitating or struggling to engage in activism. Four key barriers often surface:

  • Financial Dependence on Institutions – Artists dependent on institutions for financial stability often find their creative freedom constrained. Survival hinges on remaining commercially viable or aligned with industry expectations.
  • Fear of Retaliation and Public Backlash – Speaking out can cost artists their careers, reputations, and access to opportunities. The risk of blacklisting or audience alienation forces many to remain silent, even when they feel compelled to act.
  • Audience Preference for Escapism – Audiences resist artists who challenge social norms when they primarily consume art as entertainment or aesthetic pleasure. The desire for beauty and distraction discourages direct engagement with difficult realities.
  • Structural Barriers in Visibility and Distribution – Industry gatekeeping and algorithmic suppression make it difficult for activist art to reach audiences at scale. Without access to distribution, even the most powerful messages struggle to gain traction.

Important and Critical Stances We Can Take

Deep Engagement

The most critical step creatives can take is deep engagement — with the world, with their craft, and with their communities. That means stepping beyond passive observation into active witnessing, beyond escapism into transformative storytelling.


Discover through the drop-down menu at the bottom of this page how well the National Storytelling Festival in the USA engages its community and audience.

Radical Curiosity

To truly see reality, artists must cultivate radical curiosity, questioning narratives, seeking untold stories, and listening deeply to voices that society often ignores. This requires a willingness to step into discomfort and complexity rather than retreating into purely aesthetic refuge.


Next year’s world premiere of the musical “Elephant Shoes” will reshape our thinking about the deaf community. Get details by way of the drop-down menu below.

David Mesguich, "Sorry not sorry," (2017)

Art as Alchemy

To embrace the magic, creatives must harness art as alchemy — a medium that doesn’t deny reality but elevates it. Magic is not just spectacle; it’s the ability to shift perception, to ignite imagination, and to make the invisible visible. True artistic magic is a revelation rather than an illusion.


Learn more about this alchemic work by David Mesguich in the drop-down menu at the bottom of this page.

Alvin Ailey American Dance Theater

Fearless Honesty

And to create beauty while bearing witness, creatives must lean into fearless honesty. That means refusing to dilute difficult truths, but rendering them with depth, nuance, and emotional resonance. It means crafting experiences that awaken rather than numb, that captivate without anesthetizing.


Speaking of fearless honesty, get details about an upcoming world premiere by Alvin Ailey American Dance Theater by means of the drop-down menu, below.

The balance between these barriers and stances is delicate, but achievable. Those who manage it shape movements, shift consciousness, and leave legacies.

This real and magical moment is calling. Will you answer?

Abbetuck

Credits and Details

Cover Image – "A Streetcar Named Desire"

Vivien Leigh as Blanche DuBois in the film version of “A Streetcar Named Desire”
Film Release Date: Sep. 19, 1951
Director: Elia Kazan
Writers: Tennessee Williams and Oscar Saul
Studio: Warner Bros.
Based on Tennessee Williams’ Pulitzer Prize-winning play, “A Streetcar Named Desire” tells the story of Blanche DuBois, a Southern belle, who arrives in New Orleans to live with her sister Stella and Stella’s husband, the rough-and-tumble Stanley Kowalski. Blanche’s refined, genteel ways clash with Stanley’s working-class, masculine nature, creating a volatile atmosphere that ultimately leads to Blanche’s mental breakdown and institutionalization. The film explores themes of the clash between the Old and New South, fantasy versus reality, and the destructive power of desire.

Deep Engagement – National Storytelling Festival

National Storytelling Festival
Date: October 3-5, 2025
Location: Jonesborough, TN
Website: storytellingcenter.net
Since 1973, the National Storytelling Festival has been the premier storytelling event in the United States, hosting international voices from the storytelling capital of the world. The festival is not only a celebration of storytelling but also an educational experience for attendees, particularly school groups who attend as part of their curriculum. The festival has had a significant impact on the local community, transforming Jonesborough into a vibrant storytelling hub.
Photo: Storyteller, author, musician, and two-time Grammy-winner Bill Harley (Photo by Jay Huron)
Bill Harley website

Radical Curiosity – "Elephant Shoes" – World Premiere Musical

“Elephant Shoes” – World Premiere Musical
Date: June 4-28, 2026
Location: Red Bank, NJ
Book: Ivan Menchell
Score: Caroline Kay
Director: Jeff Calhoun
Co-Production: Two River Theater and Deaf West Theatre
The new musical will be performed in American Sign Language (ASL) and spoken English. The story follows Cy, who is smitten with fellow coder Roxy, as his new invention revolutionizes the technological ability to translate spoken English into ASL. With a soaring contemporary score and groundbreaking stage technology, producers promise this modern-day “Cyrano” tale “will ignite your senses and change the way you experience musical theatre.”

Art as Alchemy – David Mesguich's "Sorry not sorry"

Title: “Sorry not sorry,” (2017)
Medium: Recycled plastic
Location: Örebro, Sweden
Artist: David Mesguich
Website: davidmesguich.com
Mesguich is a visual and conceptual sculptor who lives and works between Belgium and France. He describes this ephemeral installation as inspired by the intrusive ubiquity of advertising in public spaces. “It’s not only about visual pollution but also speaking about constant mental harassment from advertising.”

Fearless Honesty – Alvin Ailey American Dance Theater

Alvin Ailey American Dance Theater
Date: June 5-8, 2025
Location: Brooklyn Academy of Music (BAM)
Website: Ailey | BAM
Alvin Ailey American Dance Theater is renowned for telling the truth through dance. The company’s performance at BAM will include the world premiere of “The Holy Blues.”
Choreography: Jawole Willa Jo Zollar in collaboration with Ailey company dancers Samantha Figgins and Chalvar Monteiro
Inspiration: The Ring Shout (a circular dance originating from Central and West Africa) and The Door of No Return (the final departure point of enslaved Africans sent to America).
Among the other works on the program is Elisa Monte’s “Treading” (production image shown, 1979, new production 2024).
Photo: Paul Kolnik

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