Artists are a threat

Artists are a threat

Arts organizations are endangered

Last week, the president of the United States put himself in charge of the Kennedy Center for the Performing Arts, a cultural center he has never patronized.

When asked why he has never attended an event at this national treasure, he stated, “There was nothing I wanted to see.”

"Hamilton," the musical by Lin-Manuel Miranda
What Donald missed

During his first term in office, the Kennedy Center’s programming gravitated toward themes of identity, connection and transformation with musical theatre productions like “Hamilton,” “Dear Evan Hansen,” “The Color Purple” and “The Light in the Piazza.”

There were performances by Alvin Ailey Dance Theater, Mariinsky Ballet, and American Ballet Theatre.

The Center also hosted a festival of American orchestras, a festival to open the Kennedy Center’s building expansion, play festivals, book readings, author talks and numerous exhibitions of contemporary art.

Nothing to see there at all!

Not My Presidents; Day protest
What artists can do

While I deeply appreciate the demonstrations and boycotts toward this administration, there is something unique that visual, performing and literary artists can do to voice their resistance: Send more creativity into the world.

Artists are a threat

Science, math, history and education are based on facts and are deniable by authoritarians and their gullibles. Artists, however, can reach into the same set of tools oppressors like to leverage: ideals, emotions, visuals and performance.

Autocrats don’t like that.

Minute Man Statue at Minute Man National Historical Park.
Artists can match their firepower

As we have seen, government can (and will) bully arts organizations and their funding sources into inertia and silence. It is not as easy, however, to muzzle the creativity and cleverness of individual artists.

Take notice

What if artists from across the USA produced small and medium acts of creative resistance on April 19…the 250th anniversary of the beginning of the American Revolutionary War?

Here once the embattled farmers stood
And fired the shot heard round the world.

Ralph Waldo Emerson
“The Concord Hymn,” 1837, Excerpt
Randall White

Randall White

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Pictured at top: Asger Jorn’s “Fear,” 1950, Oil on canvas, Photo credit: City of Grenoble/Grenoble-JL Lacroix Museum, On view at Musée de Grenoble

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